“You’ve got to face this unalterable law,” he continued. “That power derived from worldly sources can only be employed for worldly purposes. The power conferred by popularity, by wealth, by that ability to make use of other men that we term organization—sooner or later the man who wields that power becomes the Devil’s servant. So long as Kingship was merely a force struggling against anarchy, it was a holy weapon. As it grew in power so it degenerated into an instrument of tyranny. The Church, so long as it remained a scattered body of meek, lowly men, did the Lord’s work. Enthroned at Rome, it thundered its edicts against human thought. The Press is in danger of following precisely the same history. When it wrote in fear of the pillory and of the jail, it fought for Liberty. Now it has become the Fourth Estate, it fawns—as Jack Swinton said of it—at the feet of Mammon. My Proprietor, good fellow, allows me to cultivate my plot amid the wilderness for other purposes than those of quick returns. If he were to become a competitor with the Carletons and the Bloomfields, he would have to look upon it as a business proposition. The Devil would take him up on to the high mountain, and point out to him the kingdom of huge circulations and vast profits, whispering to him: ‘All this will I give thee, if thou wilt fall down and worship me.’ I don’t want the dear good fellow to be tempted.” A dark, black-bearded man raised himself painfully upon his elbow. He was a tailor in the Rue Parnesse, and prided himself on a decided resemblance to Victor Hugo.!

“It’s the frills and flummery part of it that frightens me,” he said. “You wouldn’t think that sensitiveness was my weak point. But it is. I’ve stood up to a Birmingham mob that was waiting to lynch me and enjoyed the experience; but I’d run ten miles rather than face a drawing-room of well-dressed people with their masked faces and ironic courtesies. It leaves me for days feeling like a lobster that has lost its shell.” They dined in the great restaurant belonging to the hotel. He was still vastly pleased with himself as he marched up the crowded room with Joan upon his arm. He held himself upright and talked and laughed perhaps louder than an elderly gentleman should. “Swaggering old beggar,” he must have overheard a young sub. mutter as they passed. But he did not seem to mind it.

“Why, that’s a sign of breeding, that is, Missie,” the man had explained. “It’s the classy ones that are always the worst.” “No,” said Joan. “I don’t think I’ve got what you call the artistic temperament. I have never felt drawn towards anything of that sort.” “I wasn’t really,” explained Mr. Folk. “I just walked and talked naturally. It made rather a sensation at the time. Your mother was a genius. You have never thought of going on the stage yourself?”